Suspended by the British artist Arabella Dorman is made up of hundreds of items of refugee clothing, found largely on the beaches of the Greek island of Lesbos.
The clothing appears to hover approximately three metres above the ground and the installation is lit from the centre so that the clothes are seen clearly and then lost in shadow. As the installation brightens, it represents the light of hope by which a refugee is carried forwards. As it dims, it seeks to remind the viewer that refugees may be left unseen and in darkness if their situation is forgotten.
Suspended had its first showing in St James’s Church in London’s Piccadilly and attracted international attention as the capital’s “most talked about contemporary artwork” (New York Times Dec 22 2017) when it opened ten days before Christmas.
Included amongst the clothes being hung in Canterbury are those left behind in the makeshift camps set up in Calais.
Ms Dorman said: “My interest lies in the men, women and children behind the headlines, the individual stories behind the politics. I attempt to illuminate and to reveal the human face of conflict, and to find light in the darkest corners of existence.”
Explaining the decision to bring the unusual artwork to Canterbury, the Cathedral’s Canon Treasurer, the Revd Nick Papadopulos said: “In Lent Christians remember the days when Jesus was driven into the wilderness; in Holy Week we remember his suffering at the hands of imperial power. Arabella Dorman’s Suspended is a powerful call to us to remember - and pray for - those driven from their homes and those who suffer at the hands of power today.
“But we know that at the end of the journey of Lent we will come to Easter Day, when a few discarded grave-clothes tell his disciples that Jesus has been raised. We believe that the poignant artefacts of Suspended will evoke new understanding, new compassion and new hope in all who see them in ÎÚÑ»´«Ã½Ò•îlthis Lent, Holy Week, and Easter”.
The temporary safety deck, constructed below the Nave vaulting to enable the current work on the Cathedral roof, is to provide an anchor point for the installation of the huge artwork which can be viewed from 22 February through until 16 May.
The cost of installing Suspended has been met through the generous support of lead sponsor and also, building contractors working at the Cathedral as part of the project known as The Canterbury Journey.
The installation has also been supported by the Diocese of Canterbury which has been collaborating with the artist over the last year through its work with refugees and its partner organisations in Calais and in Kent, facilitating visits and retrieving the clothing which is part of the installation
Normal Precincts charges apply for those visiting the Cathedral and there is no charge for viewing the artwork.